Elizabeth Holmes documentary earns perfect Rotten Tomatoes score and is praised as a masterpiece

As anticipation builds for Nathan Fielder’s new documentary about the controversial figure Elizabeth Holmes, early reviews have garnered significant attention in the film community. Scheduled to premiere in U.S. theaters on October 16 and in the UK on November 20, “You Can See Everything” has been lauded by critics as a major cinematic achievement, with some hailing it as potentially “the film of the year,” as reported by a media source.

Directed by Fielder and Lance Oppenheim, the documentary offers an intimate look at Holmes just days before she began serving a prison sentence for fraud. Holmes, now 42, rose to infamy through her startup, Theranos, which falsely claimed to have developed groundbreaking technology capable of conducting a multitude of medical tests with only a few drops of blood. After being convicted of defrauding investors, she was sentenced to 11 years in prison, commencing her sentence in a Texas facility in May 2023.

“You Can See Everything” has received a remarkable 100 percent rating on Rotten Tomatoes and a 97 score on Metacritic, indicating widespread acclaim from critics. Reviewers describe the documentary as not merely informative but also an ambitious exploration of reality and deception. A media source elaborated that it surpasses viewer expectations by presenting a psychologically complex narrative that challenges the boundaries of documentary filmmaking.

While many reviews suggest that the film’s intricate design may leave audiences disoriented, they also praise its unique approach to storytelling. Critics have noted it resembles a fusion of traditional documentary styles with elements of reality television, making it a standout entry in the genre. The film shines a light on the multifaceted nature of truth, acknowledging how various stakeholders—including the filmmakers, Holmes, and her partner, Billy Evans—may manipulate narratives for self-serving purposes.

Fielder, known for his absurdist style and the HBO series “The Rehearsal,” remains a focal point of interest. His past work often blurs the lines between fiction and reality, a theme that seems to resonate throughout this new project. With its intriguing premise, “You Can See Everything” appears poised to captivate audiences and stimulate discussions surrounding ethical storytelling and the role of media in shaping public perceptions.

As the documentary prepares for its theatrical release, interest continues to grow, evidenced by its notable festival screenings and the buzz surrounding its innovative storytelling approach.

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